guide
Episodes that keep every character's arc straight
Each character in your series has a running set of notes in the ledger: what they learned, lost, hid or promised. Every take draft reads those notes, so a character never forgets their own story.
From the showcase
Rendered with the prompts shown in the studio.
Arcs are made of small facts
A character arc is not one big turn. It is a chain of small facts: she found the pager in episode two, she lied about it in episode three, she was caught in episode five. Lose one link and the turn in episode eight makes no sense. Writers keep these chains in notebooks; a video tool that generates one scene at a time keeps nothing.
The character arc episode maker stores the chain. Each character in a series has a list of short notes in the continuity ledger, added after each episode, read by every draft. When a take draft is generated, it reports which of those notes it relied on, which is how you catch a draft that leans on something that changed.
Building a cast that holds
Arcs need faces that stay the same. Characters are created in the library as generated portraits so the video model receives a reference with provenance; outfits, sets and props can be generated or uploaded. A series names its regular cast, and every take can carry up to three of them with an outfit, a prop and a voice style each. Wardrobe is part of the arc too: a character who starts in the archivist's pressed grey and ends in a storm coat has changed, and the viewer feels it without being told.
- Generated character portraits with provenance
- Up to three characters per take
- Outfit, prop and voice style per character
- Regular cast attached to the series
Writing a beat for one character
The most useful beats are single-character and specific: "Esperanza reads the clipping and decides not to tell Bartek." The draft returns a shot description that respects what Esperanza knows and does not know, with one or two lines, a suggested duration and the ledger facts used. If you want the beat to change her arc, say so in the beat ("this is the moment she stops protecting him") and then record the change in the ledger after the episode.
For ensemble beats, keep to three characters and one place, and give the draft a clear subject: whose scene is it? Scenes with a clear owner cut better and recap better.
Arcs in recaps and teasers
When you cut a recap, pick the takes that show the arc turning rather than the ones with the most action. When you build a teaser, show the character at the threshold of the next turn, not past it. Over a season, the recaps alone will tell each character's story in order, which is a good test of whether the arc is really there.
Questions
- How many notes can a character carry?
- Twelve at a time; older notes fall away as new ones are added. If a fact must persist for the whole season, put it in the series summary instead.
- Can characters from one series appear in another?
- Library characters can be used in any of your series, but each series keeps its own ledger, so their arcs stay separate.
- Can I change a character's portrait mid-season?
- You can generate a new character and swap it into the series cast, but the earlier takes keep the original face. For a visible change, change wardrobe or set instead.
- Who owns the episodes I make here?
- You do. The takes, recaps, teasers and cuts you render belong to you under the terms of service, and you can use them wherever you like. How copyright applies to AI-assisted video differs from one country to the next, so if the rights matter for a specific project, ask a lawyer where you live.
- When do credits come back?
- Only when a job fails before any work starts: a prompt that trips moderation, a take that never reaches the render queue, a save that fails. Once a model or the cutting step has started, the credits for that job are spent even if the result disappoints or is flagged afterwards.
Ready when the series is
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